jwrl wrote:
OK, comparisons seem to be in order in this thread. Ronnie, how do you think Symphony/Media Composer compares with the other two (LW/Edius)?
Of course this can't take in to account the vast price differential between Symphony and LW... roughly $6,000 currently, compared to how much for Lightworks?
(This is a serious question, Ronnie, despite the jokey piece in the para above.)
Hi Jwrl,
A soon as I had responded I thought have I just stepped into the comparison quiz.
The simple response here is use what will do the job. Be it LWKS,EDIUS,MC/Symphony/FCP/Smoke along with what you are most comfortable using. Remember editors spend lots of time alone in dark rooms looking through vision so the better the match to software the more enjoyable the experience.
As an owner/user of Media Composer and Symphony 6 on a machine I built to Avid Specifications and above,
I have nothing but admiration for their software. It integrates into my workflow seamlessly but again
the machine it is running on was purpose designed and so I would expect nothing less.
Jwrl has also made mention the price difference. Absolutely correct
I feel Symphony has the edge for Primary & Secondary Colour Correction, Avid Visual FX combined with Boris Continuum Complete make for an excellent alternative to After Effects. I use Twixtor & Re-visions Blur Plugins as well and the results are startling on Symphony. I have this setup with its own RAID as I use this system for more longer term Projects/Series.
With the above in mind, I find the Avid interface well laid out and switching focus within the application is great. The cost of this system is probably the main detractor but it is capable of much more than just editing.
Lightworks in my workflow would be used more for Daily Projects where the emphasis is on the cut rather than
"can we kinda do some effects on this" It is a doddle to edit on, uncluttered and straight to the point. It is stable on my Laptop allows me to take projects to clients & review/re-edit there and then at their location.
I know this sounds weird but I have even taken a program I cut on LW way back in the beta days that Lawyers needed to see before hand. So portability is key here.
The two main codecs I use are ProRes and DNxHD so all my systems incl Edius must be able to use these file types along with any others that comes along. This is where Edius is in class of its own. As stated by Jacquestoo it will play just about any file you attempt. This is extremely handy when a client comes in with his/her special memories..you know what I mean, its in that special format nothing will play...and you must be able to accommodate it somehow Edius will do it.... usually.
So I think i may be the wrong person to ask for comparisons in NLE's as I love using every one of them. They all achieve the same result ultimately and they are like humans really......quirky I mean
Cheers
Ronnie